I’m very proud and excited to announce that I will be releasing a new full-length solo album in 2019! You can follow the whole process – the writing, recording and mixing of the album right here on my web site. I’ll post news updates, in-depth written features and video clips from the studio.
At last! I’m finished recording the new album! There’s only a couple of guest appearances left but everything else is done. It’s always a strange feeling. You live inside this bubble on every project and it’s so incredibly consuming.
It’s a feeling of never wanting to let go and just hoping it will soon end. Strange feeling indeed.
I did most of the bass tracks myself. I always play bass on demos. Both my own and Airbag’s but I’ve never felt comfortable with being a bassist. You can hear how safe I went with Lullabies and I wish I had someone better to do the bass. On Forever I felt that I managed to do a fairly decent job, which gave me more confidence to do the bass for this album.
I’m using an Epiphone Thunderbird. Hardly what you would call a high end instrument but it does the job and I think it sounds pretty cool. I like that fat edgy tone and the neck is really easy for a novice like me to play.
I tend to stick to the stuff that I grew up listening to, like Kiss, Sabbath and all of that classic rock stuff. I can hear a lot of that in my playing and perhaps that provides a nice contrast to the other instruments. And I’m a pick guy. Never really understood fingers on a bass. Unless you’re ripping it apart like Geezer Butler.
I record the bass at home. No amp. It’s fed straight into a Universal Audio Solo 610 tube preamp, which really makes a huge difference to the sound. I like a lot of grit and fuzz, especially on the heavier parts, so we’re re-amping using a UA Ampeg plug-in that sounds amazing. It’s all over Forever and it will be all over this album too.
Kristian Hultgren (Wobbler) has been playing with me for a while and I wanted him on one of the tracks. He has a very aggressive attack, which I think fit that song very well. We recorded using the UA 610 and one of his mid 60s Fender P guitars.
All of my vocals are recorded in my home recording studio. I guess that’s the only place I feel comfortable and confident to lay down the tracks and try new things, which I think I have on this album.
I’m using a Rode NT2-A into the UA 610 preamp, which is for the most part set with a pretty high input. I love those close in-your-face vocals and there are lots of them on this album.
Next time we’ll go deep into how I recorded the guitars for this album. Stay tuned!
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